Photo collage: Yehudit Vinegrad by permission of artists and photographers

The Cosmic Folk

About:

 

Hi weโ€™re Cosmic Folk!

A Musical Collective born almost 7 years ago during Covid.

what started out as a community picnic in the forest of the Carmel in Haifa,

Grew into a few hundred people, by word of mouth and kept on rolling.

Weโ€™re all about the voluntary spirit, working together out of passion for the music.

We share our love for Folk-music, a group of story-telling, string-picking, singer-songwriter independent artists.

Today we are so excited to be bringing our show into Jacobโ€™s Ladder Festival, the place where some of us grew-up listening to the music, and for the rest of us is just a natural connection with our ideal community and crowd.

Get ready for a โ€œFestival-within-a-festivalโ€-ย  three hours featuring some the best of our collectiveโ€™s members-

Itamar Beck, Griffin, Maple, Shaul Meyron & Daniella Goldfine,

Each will bring the best of their personal repertoire and inter-lock with one-anotherโ€™s show to bring a one of a kind folk-blues-gospel showcase especially made for Jacobโ€™s Ladder,

using the synergetic power of a community taking the stage together-

Harmonizing, Improvising, Listening and supporting each other and sharing a deep love for the music.

 

ืฉืœื•ื- ืื ื—ื ื• ืงื”ื™ืœืช Cosmic Folk!

ื ื•ืœื“ื ื• ืœืคื ื™ ื›ืžืขื˜ 7 ืฉื ื™ื, ื‘ืชืงื•ืคืช ื”ืงื•ืจื•ื ื”. ื‘ื”ืชื—ืœื” ื–ื” ื”ื™ื” ืคื™ืงื ื™ืง ื‘ื›ืจืžืœ, ืžืคื” ืœืื•ื–ืŸ ื”ื’ื™ืขื• ื›ืžื” ืžืื•ืช ืื ืฉื™ื, ื•ืื– ื”ื›ืœ ื”ืชื—ื™ืœ ืœื”ืชื’ืœื’ืœ. ืžื” ืฉืžื™ื•ื—ื“ ื–ื” ืฉื›ืœ ื”ื”ืชืืจื’ื ื•ืช ื”ื–ืืช ื”ื™ื ื”ืชื ื“ื‘ื•ืชื™ืช ืœื—ืœื•ื˜ื™ืŸ – ืžื•ื–ื™ืงืื™ื ืฉืžืืžื™ื ื™ื ื‘ื“ื‘ืจ ื•ืคื•ืขืœื™ื ืžืชื•ืš ืชืฉื•ืงื”.

ื›ื•ืœื ื• ื—ื•ืœืงื™ื ืื”ื‘ื” ืœื–’ืื ืจ ืžื•ื–ื™ืงืœื™ ืžืกื•ื™ื – ืคื•ืœืง, ืฉื™ืจื™-ืขื ื”ืžื‘ื•ืฆืขื™ื ืœืจื•ื‘ ืขืœ ื›ืœื™ ืžื™ืชืจ, ืฉืžืกืคืจื™ื ืกื™ืคื•ืจื™ื. ื‘ืขื™ืงืจ ืžื” ืฉืžื›ื•ื ื” ‘ืกื™ื ื’ืจ-ืกื•ื ื’ืจื™ื™ื˜ืจืก’ ื™ื•ืฆืจื™ื ื•ื ื’ื ื™ื ืขืฆืžืื™ื™ื.

ื”ื™ื•ื ืื ื—ื ื• ืžืชืจื’ืฉื™ื ืœืขืœื•ืช ืขืœ ื‘ืžืช ืคืกื˜ื™ื‘ืœ ืกื•ืœื ื™ืขืงื‘, ืฉืขื‘ื•ืจ ื—ืœืงื ื•- ื’ื™ื“ืœ ืื•ืชื ื• ื•ืขื‘ื•ืจ ืื—ืจื™ื ื”ื•ื ืžืงื•ืจ ื˜ื‘ืขื™ ืœืจืขื™ื•ื ื•ืช ืฉืื ื—ื ื• ืฉื•ืื‘ื™ื ืžื”ื ื›ืงื”ื™ืœื” – ื‘ื—ื™ื‘ื•ืจ ืขื ื”ืงื”ืœ ื•ืขื ื”ืžืงื•ื.

ืื ื—ื ื• ืžื’ื™ืขื™ื ืœืคืกื˜ื™ื‘ืœ ืœื”ื‘ื™ื “ืคืกื˜ื™ื‘ืœ ื‘ืชื•ืš ืคืกื˜ื™ื‘ืœ”- ืฉืœื•ืฉ ืฉืขื•ืช ืขืžื•ืกื•ืช ืคื•ืœืง, ื‘ืœื•ื–, ื’ื•ืกืคืœ, ื’ืจื•ื ื•ืช ื•ืžื™ืชืจื™ื- ืžืžื™ื˜ื‘ ื—ื‘ืจื™ ื”ืงื•ืœืงื˜ื™ื‘ ืฉืœื ื•- ืื™ืชืžืจ ื‘ืง, ื’ืจื™ืคื™ืŸ, ืžื™ื™ืคืœ, ืฉืื•ืœ ืžื™ืจื•ืŸ ื•ื“ื ื™ืืœื” ื’ื•ืœื“ืคื™ื™ืŸ- ืฉื™ื‘ืฆืขื• ื›ืœ ืื—ื“ ื•ืื—ืช ืžืžื™ื˜ื‘ ื”ืฉื™ืจื™ื ืฉืœื”ืŸ.ื-ย  ื‘ื™ื—ื“ ื•ืœื—ื•ื“.

ืžื•ืคืข ืžื™ื•ื—ื“ ืœืคืกื˜ื™ื‘ืœ ืฉืžืฆื™ื’ ืืช ื”ื—ื•ื–ืงื•ืช ืฉืœ ื›ืœ ืืžืŸ ื•ืืžื ื™ืช ื‘ื ืคืจื“ ื•ืืช ื”ื›ื•ื— ืฉืœ ืงื”ื™ืœื” ืฉืขื•ืœื” ืœื‘ืžื” ื™ื—ื“ ื•ืžื—ื–ืงืช ื”ืื—ื“ ืืช ื”ืฉื ื™-

ื”ืจืžื•ื ื™ื•ืช ืงื•ืœื™ื•ืช, ืœื™ื•ื•ื™ ืงืฉื•ื‘, ืื™ืœืชื•ืจ ืžืชื•ืš ื”ืจื’ืข ื•ืื”ื‘ื” ืœืžื•ืกื™ืงื”.

 

Performers:

ืื™ืชืžืจ ื‘ืง

Itamar Beck (37 years old, Born Haifa Israel) is a singer-songwriter taking much of the inspiration to his writing and to his guitar and harmonica playing, from the worlds of Folk and Blues, yet, giving them a very Israeli local twist. His writing manages to put focus on moments of human distress and process it into a creation of beauty and meaning.

ืื™ืชืžืจ ื‘ืง (37, ื™ืœื™ื“ ื—ื™ืคื”) ื”ื•ื ื–ืžืจ ื™ื•ืฆืจ ืฉืฉื•ืื‘ ื”ืจื‘ื” ืžืŸ ื”ื”ืฉืจืื” ืœื›ืชื™ื‘ื” ืฉืœื• ื•ืœื ื’ื™ื ืช ื”ืžืคื•ื—ื™ืช ื•ื”ื’ื™ื˜ืจื” ืฉืœื• ืžืขื•ืœืžื•ืช ื”ืคื•ืœืง ื•ื”ื‘ืœื•ื–, ืื‘ืœ ืžืขื ื™ืง ืœื”ื ื˜ื•ื•ื™ืกื˜ ื™ืฉืจืืœื™, ืžืงื•ืžื™ ืžืื“. ื‘ื›ืชื™ื‘ืชื• ื”ื•ื ืžืฆืœื™ื— ืœืžืงื“ ืืช ื”ืขื™ืŸ ื‘ืจื’ืขื™ื ืฉืœ ืžืฆื•ืงื” ืื ื•ืฉื™ืช ื•ืœืขื‘ื“ ืื•ืชื” ืœื™ืฆื™ืจื” ืฉื™ืฉ ื‘ื” ื™ื•ืคื™ ื•ืžืฉืžืขื•ืช

ื“ื ื™ืืœื” ื’ื•ืœื“ืคื™ื™ืŸ

With a soft yet powerful voice and guitar playing that gently pulls listeners in, Daniella Goldfine brings her own touch to the timeless legacy of folk music. Her songs combine intricate storytelling with enchanting lyricism that can make it feel as though Daniella is singing directly to you. Though often tender and introspective, her music also carries a playful spirit that invites listeners into the joy and wonder of her inner world.

Originally born in Philadelphia, Daniella Goldfine is currently based in Pardes Hana.

ืขื ืงื•ืœ ืจืš ืืš ืขื•ืฆืžืชื™ ื•ื ื’ื™ื ืช ื’ื™ื˜ืจื” ืฉืžื•ืฉื›ืช ืืช ื”ืžืื–ื™ืŸ ืคื ื™ืžื” ื‘ืขื“ื™ื ื•ืช, ื“ื ื™ืืœื” ื’ื•ืœื“ืคื™ื™ืŸ ืžื‘ื™ืื” ืืช ื”ื˜ืืฅ’ ื”ืื™ืฉื™ ืฉืœื” ืœืžืกื•ืจืช ื”ืคื•ืœืง ื”ืขืœึพื–ืžื ื™ืช. ื”ืฉื™ืจื™ื ืฉืœื” ืžืฉืœื‘ื™ื ืกื™ืคื•ืจื™ื•ืช ืขืฉื™ืจื” ืขื ื›ืชื™ื‘ื” ืงืกื•ืžื”, ื‘ืื•ืคืŸ ืฉืœืคืขืžื™ื ืžืจื’ื™ืฉ ื›ืื™ืœื• ื“ื ื™ืืœื” ืฉืจื” ื™ืฉื™ืจื•ืช ืืœื™ืš. ืœืฆื“ ืจื’ืขื™ื ืขื“ื™ื ื™ื ื•ืคื ื™ืžื™ื™ื, ื”ืžื•ื–ื™ืงื” ืฉืœื” ื ื•ืฉืืช ื’ื ืจื•ื— ืžืฉื—ืงื™ืช ืฉืžื–ืžื™ื ื” ืืช ื”ืžืื–ื™ื ื™ื ืœื”ื™ื›ื ืก ืืœ ืขื•ืœื ืคื ื™ืžื™ ืžืœื ืฉืžื—ื”, ื“ืžื™ื•ืŸ ื•ืคืœื™ืื”.

ื“ื ื™ืืœื” ื’ื•ืœื“ืคื™ื™ืŸ ื ื•ืœื“ื” ื‘ืคื™ืœื“ืœืคื™ื” ื•ื›ื™ื•ื ืžืชื’ื•ืจืจืช ื‘ืคืจื“ืก ื—ื ื”.

ืฉืื•ืœ ืžื™ืจื•ืŸ

ื›ืฉืฉืื•ืœ ืžืชื—ื™ืœ ืœื ื’ืŸ ืคืฉื•ื˜ ืื™-ืืคืฉืจ ืœืขืฆื•ืจ ืื•ืชื•.

ืขื ื’ื™ื˜ืจื” ื•ืžืคื•ื—ื™ืช- ื‘ืžื•ืคืข ืžืœื ื‘ื’ืจื•ื‘, ื”ื•ืžื•ืจ ื•ื—ืŸ ื”ืžืฉืœื‘ ืจื’ืขื™ื ืื™ื ื˜ื™ืžื™ื™ื ืœืฆื“ ืฉื™ืื™ื ืžืจืงื™ื“ื™ื, ื”ื•ื ืžื ื’ืŸ ืฉื™ืจื™ื ืžืงื•ืจื™ื™ื ื•ืงืื‘ืจื™ื ื‘ืขื‘ืจื™ืช ื•ื‘ืื ื’ืœื™ืช ื‘ืจื•ื— ื”ืงืื ื˜ืจื™, ื”ื‘ืœื•ื– ื•ื”ืคื•ืœืง ืฉืœ ืฉื ื•ืช ื”-60 ื•ื”-70.

ื ืขื ืžื’ื ื™ Griffin

ื’ืจื™ืคื™ืŸ – ืฉื™ืจื™ ื“ืจืš ื•ื ื“ื•ื“ื™ื ื‘ื”ืฉืจืืช ื”ื˜ื‘ืข ื•ื”ืžื™ืกื˜ื™ืงื”, ืขื˜ื•ืคื™ื ื‘ื”ืจืžื•ื ื™ื•ืช ืงื•ืœื™ื•ืช ื•ืืงื•ืกื˜ื™ื•ืช.

ื’ืจื™ืคื™ืŸ, ื–ืžืจ-ื™ื•ืฆืจ ื‘ืŸ ืขืจื‘ื•ืช ื˜ืงืกืก ืฉืฆืžื— ืขืœ ืื“ืžืช ื™ืฉืจืืœ, ืฉื•ื–ืจ ื—ื–ื™ื•ื ื•ืช ืฉืœ ื˜ื‘ืข ืคืจืื™ ื‘ืžื™ืœื•ืชื™ื• ื•ื ืขื™ืžื•ืชื™ื• ื‘ืื ื’ืœื™ืช, ื”ื™ื•ืฆืจื•ืช ืžืกืข ืืœ ืขื•ืžืง ื”ืจื’ืฉ ื”ืื ื•ืฉื™. ื›ืœ ื”ื•ืคืขื” ื”ื™ื ื›ื˜ืงืก ืงื“ื•ื, ื”ืžืขื ื™ืง ืœืงื”ืœ ื”ืฉืจืื” ื•ืจื™ืคื•ื™.

 

ืžื™ื™ืคืœ

ืžื™ื™ืคืœ – ื–ืžืจืช ื™ื•ืฆืจืช (1990) ืื—ืจื™ ืฉื ื™ื ืฉืœ ื—ื™ื™ื ื‘ืงื”ื™ืœื•ืช ืืœื˜ืจื ื˜ื™ื‘ื™ื•ืช ื•ืืงื˜ื™ื‘ื™ื–ื ืกื‘ื™ื‘ืชื™ ื”ื—ืœื” ืœืขืกื•ืง ื‘ืžื•ื–ื™ืงื”. ื”ืงื™ืžื” ื”ืจื›ื‘ ืืงื•-ื’ื•ืกืคืœ ื‘ืฉื ื”ืืงื•ืกื™ืกื˜ื ื•ืขื•ืฉื” ืžื•ื–ื™ืงื” ืžืงื•ืจื™ืช ื”ืขื•ืกืงืช ื‘ื›ืžื™ื”ื” ืœื”ืจืžื•ื ื™ื” ื•ืฉืžื™ืจื” ืขืœ ื”ื˜ื‘ืข